View Shanti Cooper’s profile on LinkedIn, the world’s largest professional community. In music theory and history from The Pennsylvania State University (USA). Shanti has 5 jobs listed on their profile. See the complete profile on LinkedIn and discover Shanti’s. Care Taker, CNC & Regional Joint Director of Collegiate Education. She has presented at various conferences in North America and Europe and her article “From divisions to divisi: improvisation, orchestration, and the practice of double bass reduction” is forthcoming in Early Music.She is currently at Schulich studying with Tom Beghin. Chand Publishing, 2005 - Mathematics - 360 pages. While research on early forms of the double bass has made great progress in recent years, few studies investigate how these instruments were actually played. Double bass method books from the late eighteenth and early nineteenth centuries demonstrate greater technical diversity than is observable in performances today however, this diversity diminished over the course of the nineteenth century as European conservatories established double bass classes and made efforts to standardize technique. This classic book is a part of bestseller series in mathematics by eminent mathematician, Shanti Narayan. I propose to study the role that two particularly influential institutions, the Prague and Paris conservatories, played in standardizing double bass technique and establishing the German and French schools of double bass playing that remain dominant today.
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